There is nothing quite as good as starting your day next to the bay, listening to the slow and rhythmic break of waves on the shore. And it is even better when the fog hugs the distant hills and lingers over the bridge that has been Instagrammed maybe a billion times. The beauty of the morning inspired me to make some photos — and test out the technical mettle of the new iPhone 13 Pro’s various cameras.

….powered by the new image signal processor (ISP) in A15 Bionic for improved noise reduction and tone mapping, the iPhone 13 Pro lineup features the best camera system ever on iPhone. The all-new Wide camera has a larger sensor with 1.9 µm pixels, the largest ever on iPhone, for less noise and faster shutter speeds needed across lighting conditions, producing even more detailed photos. Coupled with the larger ƒ/1.5 aperture, the Wide camera on iPhone 13 Pro and iPhone 13 Pro Max offers a massive improvement in low-light situations, up to 2.2x when compared to iPhone 12 Pro, and nearly 1.5x when compared to iPhone 12 Pro Max. Sensor-shift optical image stabilization (OIS) — unique to iPhone — is available on both models

The new Ultra Wide camera features a much wider ƒ/1.8 aperture and a new autofocus system, bringing a 92 percent improvement for low-light environments, producing images that are brighter and sharper. iPhone 13 Pro and iPhone 13 Pro Max also boast a new 77 mm Telephoto camera, offering 3x optical zoom for a total 6x optical zoom range on the camera system.

Apple iPhone News Announcement.

Apple’s claims check out. Most landscape photographers judge the camera by its ability to capture details and colors, for a good camera is the one that can produce files that transition from shadows to highlights with a minimum of fuss. And the iPhone 13 Pro cameras pass with top grades.

Later, upon returning home and looking at these images on an XDR display, I could easily see the impact of the bigger pixels giving the images smoother transitions between shadows and highlights. I also like that the colors are naturally deeper. I appreciated the lower noise in the new sensor — giving me the courage to make the fog a bit whiter during the editing process.

As I usually do with my mobile photography, I used the Halide Camera to capture images in RAW and used the Darkroom App to edit them on the phone. The edited set is a mixture of color and monochromatic images. I hope they convey the sense of calm and peace I felt this wonderful morning.

September 26, 2021. San Francisco