In Beyoncé we trust?
Beyoncé has a new album, Renaissance. You might have heard it. Or you might have heard about it. It is the summer musical event, and that has everyone in a tizzy. Reviewers are gushing. Social media is lit with euphemisms from fans. And why not? The Economist notes:
Beyoncé Knowles, who now appears to occupy a cultural position somewhere between Maya Angelou, Billie Holiday, James Baldwin and St Bernadette. She had become, in an increasingly popular phrase, “culturally dominant”. Her seventh solo album, “Renaissance”, arrives not so much as a release, but as an event, heralded not just by reviews, but by reviews of reviews, previews, analyses of track titles and parsings of the lyrics.

I have been listening to the album — on Spotify. Unlike the critics and reviewers, I am not having an eargasm. Except for two songs, Church Girl and Move, the album left me


