30 thoughts on “Tablet PC Actually Works”

  1. Om! Dude! I love your blog and B2.0 articles but, yo, get ahold of your crazy hyphens (“give-up” ?!) and capitalization (Ruled Notebook; Windows-only Apps) or hire me as official GigaOm editor. πŸ˜‰

    I realize this is your personal website, but it’s still widely read… and sometimes I have trouble understanding parts of your posts, have to decode the punctuation or sentence construction.

    Posting this comment out of love because this is one of the few tech blogs I enjoy.

  2. You think a tablet computer is impressive now? Wait a month or two and your going to see something from apple that will blow your socks off. It’s tablet, but touch-screen, multi-touch points that are instant.

    Check out a demo video of it in action, it will blow you away, (wait for the download, as it’s high demand)

    http://www.filecloud.com/files/file.php?userfileid=110803

  3. Om, we had a similar eureka moment a year ago, and a bunch of us then decided to build an application (a TabletPC/Ink supported) all-in-one digital organizer and planner for students. Tablets are gaining ground, particularly with the student market.
    Check out the integrated ink features of the StudentVision application. Would love to get your thougths.
    http://www.juststudents.com

  4. Joseph, thanks for the “edits” and I am seriously considering getting you on board. I really do need some editing help here. Your point is well taken.

  5. You picked a great tablet. I use the X41 Tablet PC as well. I’ve been through quite a number of them over the years, and the X41 is my favorite – mainly due to size and extended battery. Plus, it is just a great tablet.

  6. I think clearly, Tablets are light usage devices. I think it is hard to use these devices if you tend to write a lot, like I do. I think in the end, it is niche product, which can be very profitable. I like it so far.

  7. Is teal usury Apple tableau!

    Q: How many Newtons does it take to screw in a lightbulb?
    A: Foux! There to eat lemons, axe gravy soup.

  8. Take Tablets for what they are right now…a wonderful accessory to a regular convertible. The only other place Tablet’s work well is in vertical applications, and that’s not terribly newsworthy. I’m sure part of your excitement is the fact that you were using the great X41 as well.

  9. Tablets are great, I even used the aenemic transmeta (un)powered compaq model for quite a while because of the form factor. Why can’t we have a smart input/display (wireless of course) that works with all my devices, wether that’s desktop, laptop, MS, Apple, Linux or whatever. Modular computing, divergence of devices.

  10. A touchscreen tablet is the stupidest thing I’ve ever heard. How do you rest your hand on it to write? How do you get precise like a pen point with a big fat finger?

    I can assure you of one thing though, no matter how horrible and idiotic a product apple makes, all you apple users will love it.

  11. Om, I’ve had the same X41 Tablet since July and I still primarily use my Mac Powerbook. So I agree with you that the Tablet is low use. I have it mostly so that I can run Windows when I need to to test some stuff out. I do find, however, that I really like the Tablet for reading (its screen quality is great) and sometimes marking up PDF documents.

    Regards,

    Chauka

  12. Tablet PCs are the future. The Toshiba TecraM4 I’m using runs Maya, ZBrush, Photoshop, Painter8, and Sketchbook beautifully – while letting me paint and texture the way I would on paper. Pretty good VoiceRec allows me to call up tools and menu items easily (although – people look at me funny) and stellar handwriting rec allows for fluid textfield surfing. Its on the heavy side, but the Tecra is flush in the hardware dept. too, so it runs all the latest games (strategy titles are particularily fun in tablet mode). I’ve never bought a Mac, but after seeing that proposed Multitouch slate of theirs…I’ll do it, man.

  13. 우리 민쑱의 νƒœν‰μ„±λŒ€μ˜€λ˜ μΌμ œμ‹œλŒ€.
    이제 μ°¬λž€ν–ˆλ˜ μΌμ œμ‹œλŒ€μ˜ μ˜κ΄‘μ€ μžˆλŠ” κ·ΈλŒ€λ‘œ λ³΅μ›λ˜μ–΄μ•Ό ν•œλ‹€.

    μ•ŒλΌλ”˜ (www.aladdin.co.kr) μΈν„°νŒŒν¬ (www.interpark.com) λ“±
    인터넷 μ„œμ μ—μ„œ 절찬 νŒλ§€μ€‘.
    ν˜Ήμ‹œ 책을 ꡬ할 수 μ—†λŠ” 경우 cosmosws@paran.com 으둜 λ¬Έμ˜ν•΄ μ£Όμ‹­μ‹œμ˜€.

    역사λ₯Ό μ™œκ³‘ν•˜λŠ” 것은 κ³Όμ—° ν•œκ΅­μΈκ°€, 일본인가

    일본이 역사λ₯Ό μ™œκ³‘ν•˜κ³  μžˆλ‹€κ³  μƒκ°ν•˜λŠ” λ‹Ήμ—°ν•˜κ²Œ ν•œκ΅­μΈλ“€μ—κ²ŒλŠ” β€˜μ‚¬μ‹€μ€ 거꾸둜일 μˆ˜λ„ μžˆλ‹€β€™λŠ” 인식을 κ°€μ§€λŠ” 것 μžμ²΄κ°€ 맀우 νž˜λ“  일이닀. 일본 λ‚΄μ—μ„œλ„ λͺ‡ λ…„ μ „κΉŒμ§€λ§Œ 해도 과거사에 κ΄€ν•œ ν•œ λ‚¨λΆν•œμ— 사죄해야 ν•œλ‹€λŠ” μ†Œμœ„ β€˜μ†μ£„νŒŒβ€™κ°€ λŒ€μ„Έμ˜€μœΌλ‚˜ 졜근 λ“€μ–΄ ν•œκ΅­μ˜ 역사날쑰λ₯Ό κ³ λ°œν•˜λŠ” μΆœνŒλ¬Όλ“€μ΄ 쀄을 μ΄μœΌλ©΄μ„œ μ†μ£„νŒŒλŠ” κΈ‰μ†νžˆ 쀄어듀고 μžˆλ‹€. 사싀 이제 μΌλ³Έμ—μ„œ μ†μ£„νŒŒλŠ” μ†Œμˆ˜λ‘œ μ „λ½ν–ˆμœΌλ©° 그런 말을 ν•˜λŠ” μ‚¬λžŒλ“€μ€ μ‹œλŒ€μ°©μ˜€μ μΈ μΈμ‚¬λ‘œ 여겨지고 μžˆλŠ” λΆ„μœ„κΈ°μ΄λ‹€.

    졜근 1λ…„κ°„ 일본 λ‚΄μ—μ„œ 이같은 β€˜μ—­μ‚¬λ‚ μ‘°μ˜ ν•œκ΅­β€™μ˜ 인식을 κΈ‰μ†ν•˜κ²Œ 퍼뜨린 것이 λ°”λ‘œ 이 μ±… <친일파λ₯Ό μœ„ν•œ λ³€λͺ…> 이닀. 이 μ±…μ˜ μΆœν˜„μœΌλ‘œ 인해 μΌλ³Έλ‚΄μ—μ„œ μ—­μ‚¬λ…ΌμŸμ€ 사싀상 μ’…μ§€λΆ€λ₯Ό μ°μ—ˆλ‹€κ³  λ³Ό 수 있으며, μ•žμœΌλ‘œμ˜ ν•œμΌκ΄€κ³„λŠ” 이 μ „κ³ΌλŠ” 맀우 λ‹¬λΌμ§€κ²Œ 될 것이라고 λ§ν•˜λŠ” μ‚¬λžŒλ„ λ§Žλ‹€. μ €μžλŠ” 졜근 자주 일본을 λ°©λ¬Έν•˜μ—¬ μ •μž¬κ³„μ˜ μ‹€λ ₯μžλ“€μ„ μ ‘μ΄‰ν•˜κ³  μžˆλŠ”λ°, κ·Έκ°€ λ§Œλ‚œ λŒ€λΆ€λΆ„μ˜ μ •μΉ˜κ°€λ“€μ€ 이 책을 μˆ™λ…ν•˜μ˜€μœΌλ©° 고이즈미 ν˜„ 총리λ₯Ό λΉ„λ‘―ν•˜μ—¬ λŒ€λΆ€λΆ„μ˜ κ°λ£Œλ“€λ„ 이 μ±…μœΌλ‘œ 인해 μΈμ‹μ˜ μ „ν™˜μ„ 이루고 μžˆμŒμ„ ν™•μΈν•˜μ˜€λ‹€.

    졜근 μžλ―Όλ‹Ή μ •μ‘°νšŒμž₯인 μ•„μ†Œ νƒ€λ‘œμ”¨μ˜ μ°½μ”¨κ°œλͺ…κ³Ό κ΄€λ ¨λœ λ°œμ–Έμ— λŒ€ν•΄μ„œλ„, μ˜ˆμ „ κ°™μœΌλ©΄ μ‚¬μ£„ν•˜κ³  ν˜„μ§μ—μ„œ λ¬ΌλŸ¬λ‚˜λŠ” 것이 λ‹Ήμ—°μ‹œλ˜μ—ˆμ„ κ²ƒμ΄λ‚˜ μ§€κΈˆμ€ 야당을 λΉ„λ‘―ν•˜μ—¬ 일본 μ •κ³„μ˜ κ·Έ λˆ„κ΅¬λ„ μ•„μ†Œ λ°œμ–Έμ— λŒ€ν•΄ κ·Έ μ§„μœ„λ₯Ό λ¬Έμ œμ‚ΌλŠ” μΈμ‚¬λŠ” μ‘΄μž¬ν•˜μ§€ μ•ŠλŠ”λ‹€. μ‹€μ œλ‘œ μ•„μ†Œ λ°œμ–Έ 사건은 β€˜λ°œμ–Έμ˜ λ‚΄μš©μ€ μ§„μ‹€μ΄μ§€λ§Œ ν•œκ΅­ λŒ€ν†΅λ Ήμ˜ 방문을 μ•žλ‘κ³  μžˆλŠ” λ―Όκ°ν•œ μ‹œκΈ°μ˜€λ‹€λŠ” ν„°μ Έλ‚˜μ™”λ‹€λŠ” 것이 λ¬Έμ œλ‹€β€™λŠ” μ •λ„λ‘œ μ •λ¦¬λ˜μ—ˆμœΌλ©° μ•„μ†Œμ”¨κ°€ β€˜λ°œμ–Έμ˜ 타이밍’에 λŒ€ν•΄ μ‚¬μ£„ν•œ λ’€μ—λŠ” κ·Έ λˆ„κ΅¬λ„ μ•„μ†Œμ˜ 퇴진을 μš”κ΅¬ν•˜μ§€ μ•Šκ³  μžˆλ‹€. 즉 이제 일본 μ‚¬νšŒμ—μ„œ β€˜μ—­μ‚¬λ₯Ό λ‚ μ‘°ν•˜λŠ” 것은 ν•œκ΅­μ΄λ‹€β€™λŠ” 인식은 점차 μƒμ‹μœΌλ‘œ κ΅³μ–΄μ Έκ°€κ³  μžˆλŠ” λΆ„μœ„κΈ°λ‹€. 이같은 변화에 따라 μ•„μ†Œ νƒ€λ‘œμ”¨λŠ” 이후 μ΄λ¬΄λŒ€μ‹ , μ™Έλ¬΄λŒ€μ‹  λ“±μœΌλ‘œ μ˜μ „μ„ κ±°λ“­ν•˜λ©΄μ„œ μ½”μ΄μ¦ˆλ―Έμ˜ ν›„κ³„μžλ‘œ 승승μž₯κ΅¬ν•˜κ³  μžˆλŠ” 것이닀.

    이 책은 2002λ…„ 2μ›” ν•œκ΅­μ—μ„œ 초판이 λ°œκ°„λœ 이래 7월에 μΌλ³Έμ–΄νŒμ΄ μ‹œνŒλ˜κΈ° μ‹œμž‘ν•΄ ν˜„μž¬ 35λ§ŒλΆ€κ°€ νŒλ§€λ˜μ—ˆμœΌλ©°, 일본의 λŒ€ν˜•μ„œμ  λŒ€λΆ€λΆ„μ—μ„œ 2002λ…„ νŒλ§€μ‹€μ  10μœ„ μ•ˆμ— λž­ν¬λ˜μ–΄ μžˆμ„ μ •λ„λ‘œ 유λͺ…ν•΄μ§„ 책이닀. μ €μžκ°€ μ—­μ‚¬λΆ„μ•Όμ—λŠ” 별닀λ₯Έ 업적이 μ—†λŠ” μ Šμ€ ν•œκ΅­μΈμ΄λΌλŠ” 것 이외에도 κΈ°μ‘΄ 일본 μ‚¬νšŒμ—μ„œλŠ” μ‘΄μž¬ν•˜μ§€ μ•Šμ•˜λ˜ μ°Έμ‹ ν•œ 아이디어λ₯Ό μ œμ‹œν•œ κ²ƒμœΌλ‘œ 인해 일본의 λ…μžλ“€μ—κ²Œ κΉŠμ€ 인상을 남긴 κ²ƒμœΌλ‘œ ν‰κ°€λ˜κ³  μžˆλ‹€. λ˜ν•œ 이 책은 μ €μžμ—κ²Œ κ°€ν•΄μ§„ ν•œκ΅­ μ •λΆ€μ˜ μ „λ°©μœ„ νƒ„μ••μœΌλ‘œ 인해 μˆ˜λ§Žμ€ μΌλ³ΈμΈλ“€μ—κ²Œ μ•Œλ €μ‘ŒμœΌλ©°, 2002λ…„ μ—¬λ¦„μ—λŠ” μ €μžκ°€ μΆœκ΅­κΈˆμ§€λ˜κ³  μ €μžκ°€ μΌλ³ΈλŒ€μ‚¬κ΄€μ— 망λͺ…을 μ‹ μ²­ν–ˆλ‹€λŠ” μ†Œμ‹μ΄ μ „ν•΄μ§€λ©΄μ„œ 본격적인 ꡬλͺ…μš΄λ™μ΄ μΌμ–΄λ‚˜κΈ°λ„ ν–ˆλ‹€.

    μ΄ν† νžˆλ‘œλΆ€λ―Έμ—κ²Œ ν—Œμ •λœ μ±…

    이 책이 μ–Όλ§ˆλ‚˜ 혁λͺ…적인 μΈμ‹μ˜ μ „ν™˜μ„ μ‹œλ„ν•˜κ³  μžˆλŠ”κ°€ ν•˜λŠ” 점은 μ±…μž₯을 펼치자마자 λ“œλŸ¬λ‚œλ‹€. 이 책은 μ‘°μ„ κ³Ό 일본의 혁λͺ…가인 κΉ€μ˜₯κ· κ³Ό μ΄λ“±λ°•λ¬Έμ—κ²Œ ν—Œμ •λ˜μ—ˆμœΌλ©°, μ €μžλŠ” ν—Œμ‹œμ—μ„œ κΉ€μ˜₯κ· κ³Ό 이등박문을 μ‚΄ν•΄ν•œ 집단을 β€˜μ›μˆ˜β€™λ‘œ κ·œμ •ν•˜κ³  μžˆλ‹€. 즉 κΉ€μ˜₯균을 μ‚΄ν•΄ν•œ 민비와 이등박문을 μ‚΄ν•΄ν•œ μ•ˆμ€‘κ·Όμ„ 민쑱의 μ›μˆ˜λ‘œ κ·œμ •ν•˜λ©΄μ„œ κ°•λ ₯ν•œ μ κ°œμ‹¬μ„ ν‘œμΆœν•˜κ³  μžˆλŠ”λ°, 이같은 μΈμ‹μ˜ 배경은 μ±… 전체λ₯Ό 걸쳐 μΌκ΄€λ˜κ²Œ μœ μ§€λ˜κ³  μžˆλ‹€.

    일본에 μ˜ν•΄ μ‹œμž‘λœ μ‘°μ„ μ˜ λ¬Έλͺ…κ°œν™”, μΌμ œμ‹œλŒ€λŠ” μš°λ¦¬μ—κ²Œ λ¬΄μ—‡μ΄μ—ˆλ‚˜?
    이 μ±…μ˜ ν™”λ‘λŠ” β€˜λ¬Έλͺ…κ°œν™”β€™μ΄λ‹€. λ―Έκ°œν•˜κ³  μ•Όλ§Œμ μΈ μ‚¬νšŒλ₯Ό λ¬Έλͺ…κ°œν™”μ‹œν‚€λŠ” 일은 κ·Έ μ–΄λ–€ κ°€μΉ˜λ³΄λ‹€λ„ μ•žμ„œλŠ” μ΅œμš°μ„  과제이며 λ―Όμ‘±μ£Όμ˜λ‚˜ λ…λ¦½μ§€μƒμ£Όμ˜ 같은 μ΄λ°μ˜¬λ‘œκΈ°λ“€μ€ μ „ν˜€ μ€‘μš”ν•˜μ§€ μ•Šλ‹€λŠ” 인식을 κΉ”κ³  μžˆλ‹€. 즉 λ‹Ήμ‹œ μ „μ„Έκ³„μ—μ„œ κ°€μž₯ λ―Έκ°œν–ˆλ˜ μ‘°μ„ μ‚¬νšŒλ₯Ό λ¬Έλͺ…κ°œν™”μ‹œν‚¬ 수 μžˆλ‹€λ©΄ κ·Έ μ–΄λ–€ 악덕도 선이 될 수 있으며, 이같은 과제λ₯Ό μ™„λ²½ν•˜κ²Œ μˆ˜ν–‰ν•œ μ‘°μ„ μ΄λ…λΆ€λŠ” 우리 민쑱의 은인이며 일본은 μ‘°μ„ μ˜ 어버이가 될 자격이 μžˆλŠ” κ΅­κ°€λΌλŠ” 것이닀.

    독도λ₯Ό 우리 땅이라 μš°κΈ°λŠ” 것이 애ꡭ심인가?
    λΆˆλ²•μ λ Ήν•˜κ³  μžˆλŠ” λ…λ„λŠ” 일본에 λŒλ €μ£Όμ–΄μ•Ό ν•œλ‹€.

    λ…λ„λ¬Έμ œμ— λŒ€ν•œ μ €μžμ˜ 인식도 좩격적이닀. λ…λ„λŠ” κ΅­μ œλ²•μƒ 1905λ…„ 이후 일본의 μ˜ν† μ΄λ©°, λŒ€ν•œλ―Όκ΅­μ€ 일본에 주ꢌ이 μ—†μ—ˆλ˜ 1952λ…„ 초 독도에 κ΅°λŒ€λ₯Ό νŒŒκ²¬ν•˜μ—¬ μ§€κΈˆκΉŒμ§€ 이 섬을 λΆˆλ²•μ λ Ήν•˜κ³  μžˆλ‹€λŠ” 것이닀. 일본은 무λ ₯μ‚¬μš©μ„ κΈˆμ§€ν•œ ν‰ν™”ν—Œλ²•μœΌλ‘œ 인해 독도λ₯Ό 곡격할 수 μ—†λŠ” μž…μž₯이닀. μ €μžλŠ” 독도가 일본 μ˜ν† μž„μ€ λ―Έκ΅­μ‘°μ°¨ μΈμ •ν•˜κ³  있으며 μ „ μ„Έκ³„μ—μ„œ 독도가 ν•œκ΅­ 땅이라고 μƒκ°ν•˜λŠ” λ‚˜λΌλŠ” ν•˜λ‚˜λ„ μ—†λ‹€κ³  μ£Όμž₯ν•œλ‹€.

    λ…λ¦½μš΄λ™ λΉ„νŒ

    이 책은 우리 μ‚¬νšŒμ—μ„œ λ‹Ήμ—°ν•˜κ²Œ ν†΅μš©λ˜κ³  μžˆλŠ” β€˜λ…λ¦½μš΄λ™μ€ ν›Œλ₯­ν•œ μΌμ΄μ—ˆλ‹€β€™λŠ” 인식에도 근본적인 μ˜λ¬Έμ„ μ œκΈ°ν•˜κ³  μžˆλ‹€. 즉 λ…λ¦½μš΄λ™μ€ 맀우 잘λͺ»λœ μΌμ΄μ—ˆλ‹€λŠ” 것이닀. κ΅¬ν•œλ§μ˜ κ΅­μ œμ •μ„Έλ₯Ό λ³Ό λ•Œ 쑰선이 λ…λ¦½κ΅­μœΌλ‘œ 남아 μžˆμ—ˆλ‹€λ©΄ μ§€κΈˆ μš°λ¦¬λ‚˜λΌλŠ” μ „ μ„Έκ³„μ—μ„œ κ°€μž₯ λ―Έκ°œν•œ 지역이 λ˜μ—ˆμ„ 것이며, λ”°λΌμ„œ λ‹Ήμ‹œμ—λŠ” 일본과 손을 작고 λ¬Έλͺ…κ°œν™”λ₯Ό μΆ”μ§„ν•œ μΉœμΌνŒŒλ“€μ΄ μ˜³μ•˜μœΌλ©° λ…λ¦½μš΄λ™κ°€λ“€μ€ μ‹œλŒ€μ˜ 변화에 μ μ‘ν•˜μ§€ λͺ»ν•œ 기회주의 μ§‘λ‹¨μ΄μ—ˆλ‹€λŠ” 것이닀.

    이 μ±…μ˜ μ£Όμš” λ‚΄μš©

    1. ν•œκ΅­κ³Ό 쀑ꡭ은 일본을 λΉ„λ‚œν•  자격이 μžˆλŠ”κ°€

    κ³Όκ±° 일본이 μΌμœΌν‚¨ λŒ€λ™μ•„μ „μŸμ€ νžˆν‹€λŸ¬μ˜ μΉ¨λž΅μ „μŸκ³ΌλŠ” 달리 μ˜¬λ°”λ₯Έ λͺ…뢄을 μ§€λ‹Œ μ•„μ‹œμ•„ ν•΄λ°©μ „μŸμ΄μ—ˆμœΌλ©°, λ”°λΌμ„œ μ „ν›„ μ²˜λ¦¬λ„ λ…μΌμ˜ κ²½μš°μ™€λŠ” 달라야 ν•œλ‹€. ν•œκ΅­κ³Ό μ€‘κ΅­μ—μ„œ μ£Όμž₯ν•˜λŠ” 일본의 μ „μŸλ²”μ£„λŠ” λŒ€λΆ€λΆ„ μ‘°μž‘λ˜κ±°λ‚˜ κ³Όμž₯된 것이며, 였히렀 과거사λ₯Ό 따져보면 ν•œκ΅­μ΄λ‚˜ 쀑ꡭ은 일본을 λΉ„λ‚œν•  자격이 μ—†λŠ” ꡭ가듀이닀. ν•œκ΅­μ€ κ³Όκ±° λ² νŠΈλ‚¨ λ“±μ—μ„œ μˆ˜λ§Žμ€ 양민을 ν•™μ‚΄ν•œ μΆ”μ•…ν•œ κ³Όκ±°λ₯Ό μ§€λ‹ˆκ³  있으며 쀑ꡭ은 아직도 λ§Žμ€ 이민쑱의 땅을 κ°•μ œμ λ Ήν•˜κ³  μžˆλŠ” μΉ¨λž΅κ΅­μ΄λ‹€.

    1. μΌμ œμ‹œλŒ€λŠ” μš°λ¦¬μ—κ²Œ μΆ•λ³΅μ΄μ—ˆλ‹€.

    일본의 ν†΅μΉ˜λ‘œ 인해 쑰선은 λ§Žμ€ λ°œμ „μ„ μ΄λ£©ν•˜μ˜€λ‹€. 30λ…„ λ‚¨μ§“ν•œ κΈ°κ°„λ™μ•ˆ 천만λͺ…도 μ•ˆλ˜λ˜ μΈκ΅¬λŠ” 2500만으둜 λŠ˜μ—ˆκ³  ν‰κ· μˆ˜λͺ…은 24μ„Έμ—μ„œ 45μ„Έλ‘œ λŠ˜μ—ˆμœΌλ©°, λ―Έκ°œν•œ λ†μ—…μ‚¬νšŒμ΄λ˜ 쑰선은 λ‹¨μ‹œμΌ 내에 κ·ΌλŒ€μ μΈ 자본주의 μ‚¬νšŒλ‘œ λ³€λͺ¨ν•˜μ˜€λ‹€. λ³Έν† μ—μ„œλŠ” μš°μˆ˜ν•œ ꡐ사듀이 λΆ€μž„ν•΄ 쑰선인듀을 κ΅μœ‘ν•˜μ˜€κ³  ν•΄λ§ˆλ‹€ 일본 μ •λΆ€λ‘œλΆ€ν„° μ—„μ²­λ‚œ 규λͺ¨μ˜ 자금이 μœ μž…λ˜μ–΄ 각쒅 μ‚¬νšŒκΈ°λ°˜μ‹œμ„€μ΄ κ±΄μ„€λ˜μ—ˆλ‹€. μΌλ³Έμ—μ„œλŠ” λ§Žμ€ μš°μˆ˜ν•œ ꡐ사듀이 λΆ€μž„ν•΄ 쑰선인듀을 κ΅μœ‘ν•˜μ˜€κ³  ν•΄λ§ˆλ‹€ 일본 μ •λΆ€λ‘œλΆ€ν„° μ—„μ²­λ‚œ 규λͺ¨μ˜ 자금이 μœ μž…λ˜μ–΄ 각쒅 μ‚¬νšŒκΈ°λ°˜μ‹œμ„€μ΄ κ±΄μ„€λ˜μ—ˆλ‹€. 이 같은 λ³€ν™”λŠ” 쑰선이 λ…λ¦½κ΅­μœΌλ‘œ λ‚¨μ•„μžˆμ—ˆλ‹€λ©΄ 상상할 수쑰차 μ—†λŠ” 것이닀. 1920λ…„λŒ€μ—λŠ” 일본에 λŒ€ν•œ μŒ€ 수좜둜 μ‘°μ„ μ—λŠ” 갑뢀듀이 μ†μΆœν•˜μ˜€μœΌλ©° κ·Έ 바탕 μœ„μ— μ†Œμœ„ β€˜λ―Όμ‘±μžλ³Έβ€™μ΄λΌλŠ” 것이 μƒκ²¨λ‚˜κ²Œ λ˜μ—ˆλ‹€. 1920λ…„λŒ€ μ‘°μ„ μ˜ λ¬Έμ˜ˆλΆ€ν₯은 일본과 μ •ν™•νžˆ 같은 μ‹œκΈ°μ— μ‹œμž‘λœ 것이며 μ˜€λŠ˜λ‚  μ΄κ΄‘μˆ˜μ™€ μ΅œλ‚¨μ„ μœΌλ‘œλΆ€ν„° μ‹œμž‘ν•΄ 김동인 μ΄νš¨μ„ κΉ€μ˜λž‘ μœ€λ™μ£Ό ν™λ‚œνŒŒ λ“± μš°λ¦¬κ°€ κΈ°μ–΅ν•˜λŠ” μˆ˜λ§Žμ€ μž‘κ°€μ™€ μ˜ˆμˆ κ°€λ“€μ€ λŒ€λΆ€λΆ„ 이 μ‹œκΈ°μ— λ“±μž₯ν•œ 인물듀이닀.

    1. ν•œμΌν•©λ³‘μ€ 우리의 μ„ νƒμ΄μ—ˆλ‹€.
      ? κ°œν•­ 이후 μ‘°μ„ μ˜ 혁λͺ…μ„Έλ ₯이 고심 끝에 합병을 μΆ”μ§„ν•˜κ²Œ 된 μ΄μœ λŠ” 무엇인가.

    κ°‘μ‹ μ •λ³€ 이래 μˆ˜μ°¨λ‘€ μ‹œλ„λœ μ‹œλ―Όν˜λͺ…μ˜ μ‹œλ„λŠ” κ³ μ’…κ³Ό λ―ΌλΉ„, 외세에 μ˜ν•΄ 번번이 μ’Œμ ˆλ˜μ—ˆκ³  κ·Έ κ²°κ³Ό 동학과 λ…λ¦½ν˜‘νšŒ λ“± μ‘°μ„ μ˜ 혁λͺ…μ„Έλ ₯은 μΌμ§„νšŒλ₯Ό 톡해 ν•˜λ‚˜λ‘œ λ­‰μΉ˜κ²Œ λ˜μ—ˆλ‹€. 이듀은 λŸ¬μΌμ „μŸ κ³Όμ •μ—μ„œ 일본과 연합ꡰ을 이루어 μ°Έμ „ν•˜μ˜€κ³  λŸ¬μΌμ „μŸμ΄ μŠΉλ¦¬ν•œ λ’€μ—λŠ” 본격적으둜 일본의 νž˜μ„ λΉŒμ–΄ μ‘°μ„ μ˜ λ¬Έλͺ…κ°œν™”λ₯Ό μ΄λ£¨λŠ” 노선을 μΆ”μ§„ν•œλ‹€. ν•œμΌν•©λ³‘μ€ 이같은 μ‘°μ„  혁λͺ…μ„Έλ ₯의 뜻이 κ΄€μ² λœ 자주적인 μ„ νƒμœΌλ‘œ 해석해야 ν•œλ‹€.

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